Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Alexandre Seon
Orpheus Laments (mk19)

ID: 22255

Alexandre Seon Orpheus Laments (mk19)
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Alexandre Seon Orpheus Laments (mk19)


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Alexandre Seon

French Symbolist Painter, 1855-1917 was a French Symbolist artist, illustrator and decorator. Seon studied at the Beaux-Arts of Lyon and Paris, becoming a student of Puvis de Chavannes in 1891, with whom he later collaborated. He was closely associated with Josephin Peladan and his Salon de la Rose-Croix, and designed the frontispiece for Peladan's 1891 novel l'Androgyne   Related Paintings of Alexandre Seon :. | Landscape with Christ and the Magdalen (mk17) | Still Life with a Golden Goblet | Les Grandes Baigneuses | Mercury Appearing to Aeneas | Julia Kustodieva |
Related Artists:
Hermann Nigg
painted Nigg Karl Lueger in historischem Kostum in 1876
Chiari, Giuseppe
Italian Baroque Era Painter, 1654-1727
William Dunlap
(1 February 1766 - 28 September 1839) was a pioneer of the American theater. He was a producer, playwright, and actor, as well as a historian. He managed two of New York's earliest and most prominent theaters, the John Street Theatre (from 1796?C98) and the Park Theatre (from 1798?C1805). He was also an artist, despite losing an eye in childhood. He was born in Perth Amboy New Jersey, the son of an army officer wounded at the Battle of Quebec in 1759. In 1783, he produced a portrait of George Washington, now owned by the United States Senate, and later studied art under Benjamin West in London. After returning to America in 1787, he worked exclusively in the theater for 18 years, resuming painting out of economic necessity in 1805. By 1817, he was a full-time painter. In his lifetime he produced more than sixty plays, most of which were adaptations or translations from French or German works. A few were original: these were based on American themes and had American characters. However, he is best known for his encyclopedic three-volume History of the Rise and Progress of the Arts of Design in the United States, which was published in 1834, and which is now an invaluable source of information about artists, collecting, and artistic life generally in the colonial and federal periods.






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